And that's mainly because his character keeps nagging everybody to run away. Only Michael York emerges with any credibilty. Actually she bears a striking resemblance to Bill Clinton in some of her long shots. Swinging those bovine limbs of hers, singing some nonsense about the world being a circle which never ends - an apt description of the song - she seems light years away from Bergman. But as for the rest - George Kennedy, Peter Finch, Sally Kellermann, John Gielgud, Olivia Hussey - well we aren't going to see them in a revival of "42nd Street" now are we? My favourite definitely has to be Kellermann and Hussey thumping around a library, the former looking bored, the latter very pregnant, singing what seems to be a 70s New Age version of the "Green Acres" theme. The 1937 film was a winner because, hey, what Frank Capra film in the '30s wasn't? But if we had to have a musical version, wouldn't it have been a good idea to hire a couple of musical stars?! Okay, at a push Bobby Van passes muster, and thank God that he's meant to be that annoying, because after five minutes the idea of him being lost in a snowdrift seemed eminently satisfying. James Hilton's novella, heaven knows, was a piece of fluff which tantalised rather than explored its themes. Have you ever wondered why you have heard of the mythical place of Shangri-La'Lost Horizon' by James Hilton is a utopian (although arguably dystopian) ficti. Unless they attempt a musical version of "Schindler's List" this will probably be the all time champion in the "Play it straight" stakes.
Its cast attractive, if not always distinguished.
Its main set, the lamasery, is a distinct improvement over the original, which looked like a Pasadena art museum.
Here is a film which attempts to inspire and uplift, and I guess it succeeds, if for reasons quite different from those intended. Arthur Knight of Saturday Review acknowledge that 'For a new generation, however, imbued with the ideals of peace and love, this LOST HORIZON may prove very satisfying. As Bette Midler used to say, "I never miss a Liv Ullman musical".
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